Steve from England has sent me yet another keyboard track with cymbals, named “dark”. This was one I felt challenged by. In order to surprise him (or maybe myself or you), I added things with no apparent connection to the original track. I wanted it to sound even darker than it was before. This is the first time I tried to record a wall of power chords plus bass in a unison. Although there have been level problems due to so many different instruments, I think the track conveys the original idea.
Thanks again to Steve, who’s track I found inspiring. So inspiring I apparently couldn’t stop playing, and had to add a coda. Stay with the track after the keyboard has ceased – it reminds me of my experimental teenage days, when me and some friends recorded music improvised on self-made instruments. In some respect, it was pure noise, but it had a dense atmosphere… Sadly, I lost the tapes, so I take this ending for a substitute.
All in all, “Darker” may not be everyone’s favorite, but it even contains traces of melodies…
guitar & gear: Epiphone Les Paul Custom, Vox AC 50, Cry Baby Classic Wah, Tube Reverb
guitar & gear: Fender Jaguar, 1967 Vox AC 30 (brilliant channel), BSM treble booster (DM-T), Tube Reverb
Back in 1966, when psychedelic art was about to embark.
Two seminal songs: The above mentioned by the Rolling Stones (which I stole the title from and made up a new music to accompany it), and the undeservedly overlooked “Rain” by the Beatles. The latter being published only as a single (not found on an original album), contains the first backwards recording ever and Ringos best drumming ever.
These songs are extreme in a way, as is the track above (coming in three movements) in another. It’s a different time, and a different player, who doesn’t want to compare to those giants…
A snapshot from inside a train, the photograph below simply made me think of “Paint it black”, whereas the music was cut on a different occasion and originally called “Scary”.
guitar & gear: ’67 Stratocaster, Vox AC 50, Gerd Schulte Phaser, Tube Reverb
At some rather early point in our lives we were told that shadows aren’t real. Our caretakers wanted to prevent us from unnecessary fears, and raise our sense of reality.
But now we are ready to know that shadows are just another interpretation of reality, only on a different level. Since the alleged “original” picture of an object that we perceive is not the real object itself, either, its shadow is by no means less real than what our eyes tell us to be the object itself.
In case you doubt if there’s real music after you clicked the player, just exercise a little patience, since the building up of these audible shadows takes a few seconds (you may hear some noises like wind in the beginning and in the end).
guitar & gear: Epiphone Les Paul Custom, Vox AC 50, BSM treble booster, DOD wah pedal