During my long lasting search for genuine 60’s sounds I experienced several cases of synchronicity: first a friend of mine purchased an original 1967 Fender Stratocaster guitar, which is an absolute rarity, and I was so lucky to receive the request to restore it. Many of the sound tracks on this blog were played on this very special guitar. Mind you, 1967 was the year of psychedelic music!
Few weeks later an acquaintance told me he owned a real old amplifier plus a speaker cabinet, but he was forced to store it in the attic for lack of space in his house. I could have it assembled in my studio, if I liked to. Of course I liked to!
It turned out to be a Vox AC 50, equipment also used by The Beatles, and its manufacturing date must be around 1965. It was in a rather bad condition, the speaker cones rotten, and all the knobs on the amplifier crackling for slack joints. Much more repair work was required than I could accomplish.
But just around the time when I was pondering what to do, I met an old friend from school, whose job was exactly repairing amplifiers! Could anybody be as fortunate as me?
Sparing you the details, after multiple efforts I ended up having just the authentic equipment for my future creative plans without paying that much for it. The power of the universe had colluded to provide what I needed – that’s what it felt like. So for me this is not about technical facts and such – it’s about synchronicity. And smell.
Smell? Well, the so-called vintage equipment has a smell of its own, known as a fact among vintage freaks. And it’s true. Like incense, there is an inspiring smell of old wood and spices in my studio, reminding me of the vibration of a distant past. The amplifier spreads its perfume all over my room whenever it’s switched on.
Sound? Oh, I forgot: the stack sounds fantastic, not with any guitar and depending on the situation, but I’d definitely miss something without it.
guitar & gear: what you see is what you hear