Steve from England has sent me yet another keyboard track with cymbals, named “dark”. This was one I felt challenged by. In order to surprise him (or maybe myself or you), I added things with no apparent connection to the original track. I wanted it to sound even darker than it was before. This is the first time I tried to record a wall of power chords plus bass in a unison. Although there have been level problems due to so many different instruments, I think the track conveys the original idea.
Thanks again to Steve, who’s track I found inspiring. So inspiring I apparently couldn’t stop playing, and had to add a coda. Stay with the track after the keyboard has ceased – it reminds me of my experimental teenage days, when me and some friends recorded music improvised on self-made instruments. In some respect, it was pure noise, but it had a dense atmosphere… Sadly, I lost the tapes, so I take this ending for a substitute.
All in all, “Darker” may not be everyone’s favorite, but it even contains traces of melodies…
Don’t be afraid, this time robot had a unpleasant dream (you can tell by the dark cloud in his thought bulb), but he is rescued and there is a happy ending!
He was sleeping in his iron bed, being recharged through several wires, when it happened. His friend who obviously heard noises from robot’s bedroom, opened the door to ask what was going on there – and so robot learned it had only been a bad dream. After hugging each other with some heart-felt robot hugs (bang!) they went to bed with relief, sleeping tight until the next morning.
Last post of this trilogy will be: “Robot’s Love Song”, coming soon.
guitar & gear: Fender Jaguar, Fender Tweed Champ, Roland Space Echo, Cry Baby Classic Wah (fixed)
guitar & gear: Fender Jaguar, Vox AC 30 (Vibrato-channel), Tube Reverb
Here for the first time I’m trying to keep my music from the over-earnestness to which I strongly tend. Those among you who are really ambitious (like I am) know how hard it is to see or hear our own mistakes over and over again, and to know they are out there for other people to stumble over or even laugh about them.
It’s so hard to let go of your self-criticism in favor of spontaneity. For this blog I had to learn that, hoping an impression of freshness would prevail also in the listener’s minds.
Mistakes and little flaws inevitably creep in when you improvise over a period of, say, four minutes or so. The trick is to not let them distract you. And afterwards, when listening to your “product”, not to take the music and the whole project too serious.
A few seconds into this little piece of music there’s an awful chord, but I turned it around as if it had been on purpose and it became the starting point for a very vocal-like expression… So why bother?
guitar & gear: Epiphone Les Paul Custom, Vox ToneLab, tube reverb
These are two friends of mine showing a typical reaction to my music… Kidding. What you see is alcohol-free late night amusement (it’s possible!) at a party in my house, and there were still some other guests…
Still wondering where all the colors in your dream came from, all of a sudden you got the moon on the phone.
guitar & gear: ’67 Stratocaster, Vox AC 50, BSM treble booster, Gerd Schulte Phaser